Posts tagged ‘Buffy’

February 7, 2014

Book: The Shambling Guide to New York City.

Friday is supposed to be for my ‘Home’ posts, but it seems to be drifting in the direction of ‘Books’. However, that still seems fitting and so I’m happily going with it. In fact, the whole blog has become distinctly more book, magazine and paper orientated—whether that’s a sign of Winter hibernation or that I should just give in and write a blog about paper remains to be seen…

As I mentioned last week, I seem to have accidentally become a big fan of fantasy novels and so I found myself wandering in the fantasy section of Waterstone’s earlier this week, seeking a follow up book to The Night Circus, which I loved.

Sitting amidst all the gothic-looking fantasy novels was this book. I’ll admit that the cover quote from Scott Sigler did it for me. ‘If Buffy grew up, got therapy and found a real job, it would look like this’. I was obsessed with Buffy when I was away at agricultural college. I used to get it recorded (on VHS, no less) so that I could watch back to back episodes every time I came home. I bought all the box-sets, fan-books, action figures, magazines. I even queued to meet James Marsters but wasn’t able to stay long enough to actually see him; a fact which still makes me sad…

The Shambling Guide to New York City

Anyway, I digress. I bought Mur Lafferty’s urban fantasy novel ‘The Shambling Guide to New York City’ and, after a day, I’ve finished it. It’s brilliant. Fast-paced and contemporary, with the wry humour and wit that Buffy was great at, and a mix of comedic and slightly disturbing that only a novel containing zombies can probably manage. I love that she creates characters that I care about, even if they happen to be Death Goddesses, water sprites or vampires. It’s lots of fun and hugely engaging right from the start. I think that it would be a really good introduction to fantasy novels for those of you who might be as sceptical as I was about fantasy as a genre.

A whole series of ‘Shambling Guide’ novels set in different cities are planned with the second—set in New Orleans— to be released later this year; I already know that I will be waiting impatiently for its arrival.

What I really want to know, though, is why I’ve never heard of Mur Lafferty before? She’s ace. I’ve had a quick read of her blog and noticed that she’s a pod-caster so they’re next on my list…

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May 27, 2013

‘Sherlock Holmes: The Best Kept Secret’ at West Yorkshire Playhouse.

On Thursday, I had the great pleasure of a night at the West Yorkshire Playhouse for a performance of ‘The Best Kept Secret’, a new Sherlock Holmes play written by Mark Catley.

It was only when I started writing this review that I realised that, on the quiet, I’m a bit of a Sherlock Holmes fan. I haven’t really considered it before, but I’ve watched both of the new Robert Downey Jnr. film adaptations, the BBC series’ ‘Sherlock’ and even ‘Elementary’ with Jonny Lee Miller and Lucy Lui. I’ve enjoyed them all, with special reference to Benedict Cumberbatch, for reasons I won’t elaborate on here! And, of course, before all of these and previous TV incarnations, there are the books, which I’ve read and enjoyed too.

So, it probably comes as no surprise to hear that I loved this play. Really loved it. Sometimes, I go to the theatre, opera, ballet, gallery, to be challenged. To come away with questions, and to feel as though I’ve learned something at the end of it, or at the very least to have tried!

But other times, I just want to be whisked away from my everyday life and be entertained. To laugh, engage with a story, and be surprised that hours have passed and it’s the end of the show already. In a nutshell, that’s what this play did.

Warning: The rest of the post contains spoilers!

Setting the play in the Victorian period, rather than updating to contemporary London, gave the brilliantly rotating sets a wonderful, slightly sinister, Steam-punkish quality, enhanced by ever-present swirling smoke. Without wanting to give too much away, the play is set in the period after the events at Reichenbach Falls, which Holmes fans will know as the final showdown between Holmes and his nemesis Moriarty. The opening scenes (after a  brilliant first moment in which a rowing boat moves through the darkness) see a retired and broken Sherlock selling stories of his cases to pay the rent.  Once Holmes’ brother Mycroft is falsely imprisoned for treason, it is down to Holmes, the ever-faithful Dr Watson and ‘The Woman’ Irene Adler, to clear his name before he is hanged. Complicating matters are Andrew Langtree as the low-level journalist seeking more sensational stories and, of course, Inspector Lestrade of Scotland Yard, played with a dry wit by Victor McGuire.

Sherlock Holmes (Jason Durr) Photo: Manuel Harlan.

Sherlock Holmes (Jason Durr)
Photo: Manuel Harlan.

I really enjoyed the whole cast, although I have to say that for me, Kerry Peers as the poverty-stricken Mrs Peasgoode was a fabulous scene-stealer even from beyond the grave during a splendidly surreal moment in which Holmes is suffering under the effects of his opiate addition.

Jason Durr is a wonderful Sherlock, struggling with his afflictions, being painfully aware of his shortcomings – at one point asking for lessons in smalltalk –  and ultimately triumphing over a foe who seems to know his every move. Adrian Lukas plays his brother Mycroft  as an even more socially inept character, despite, or more likely because of, his genius and it is left to us to realise the way in which Sherlock’s relationship with Dr Watson (excellently played by Andrew Hall) has humanised him and made him more able to cope in the world, despite everything.

I read an interview with the play’s writer, Mark Catley, and he’s a big fan of Joss Whedon (creator of Buffy, amongst other wonderful shows) and I see real similarities in their style evident in this play. The fusion of pithy one liners with action, the feeling of being ‘an insider’ with the jokes, and the occasionally uncomfortable combination of the funny with the macabre gave me a feeling that this play didn’t take itself too seriously; perhaps summed up with the line “no shit, Sherlock” being used to great effect by Tanya Franks as Irene Adler. I loved that, despite the obvious comedic elements, there was a huge amount of attention to detail, from the deerstalker and pipe to the 221B painted on the outside of the front door. This may be a brand-new Sherlock Holmes story but it’s one that devoted Holmes fans will appreciate, I’m sure, for these little touches as well as for the story that kept me in its thrall the entire time.

The audience reacted incredibly warmly to the performance, there was much affection for it at the end, and everyone I was with commented that they’d had lots of fun.  The play is on at the West Yorkshire Playhouse until 8th June and then begins a tour before moving to the West End. If you’re looking for an evening of pure entertainment and a wonderful new story based on well-loved characters, then this is it.