Posts tagged ‘Yorkshire Sculpture Park’

June 6, 2013

It’s my birthday!

It’s my birthday today! By the time you read this, I shall hopefully be on my way for a day of glorious sunshine at one of my favourite places, the Yorkshire Sculpture Park.

Usually, my birthday is a time of reflection for me, and this year proves no different. June feels like a good time to take stock of year so far, and to make plans for the rest of it. Having made a few resolutions in January, it’s now time to see how I’m getting on with them.

1 – Run as often and as far as possible

Hmm. Not a good resolution to start off with, this one. I’ve not been running at all in the past few months. On the upside, I’ve been cycling a lot more, which I’ve decided that I prefer at the moment. In fact, I have no plans to run at all in the near future, but lots of cycling plans. So, perhaps I shall change this to ‘cycle as often and as far as possible’ and see how I get on with that.

2 – Blog as I choose – in terms of subject and frequency

It’s not long since I wrote a post about my blogging frequency, and since I wrote it, I’ve felt a continued sense of relief and of being in a lot more control over my blog. I’m going to carry on with the Slow Blogging for the foreseeable future.

3 – Do my Walk Leader training.

This is something that I’d still like to do, but my priorities have changes a bit since I wrote this list of resolutions, so it might go by the wayside without regret.

4 – Say ‘yes’ to opportunities to learn

Learning is still my absolute favourite thing to do. Recently I’ve been enjoying listening to lots of podcasts and watching TED talks on loads of different, but always interesting, subjects. I’ve just taken up analogue photography again with a Canon EOS 30, and I’m learning so much already. What I’ve realised is that I’m getting better at learning through practice,  as opposed to my usual style of learning through reading theory. Photography seems to be a particularly good example of this, alongside the many craft, cookery and gardening activities that I have planned for the rest of the year. Very soon, I’m also going to put an Impossible Project film through my vintage Polaroid SX-70 and see what happens! I bought a book called ‘Instant Love’ the other day, and it’s inspired me to get playing with it and see what images I might end up with.

5 – Cook 52 new vegetarian dishes – one for every week of the year

I’m currently at 11 recipes. So, I’ve got a long way to go with this one, but I’m not going to beat myself up if I don’t get there. This resolution was partly about learning to be more creative and confident with cooking vegetarian food, and making the most of locally grown vegetables, including those I’m growing myself, rather than any hard-and-fast ‘goal’. One of the things I’m learning is how to adapt and create new recipes too, rather than following every rule, which is a pleasant feeling and something that I shall be trying to do more of and share through Sage and Thrift too.

I’m recording my recipes on Springpad, which has been a great visual tool in  aiding my resolutions this year. I absolutely love using this App, both on my Macbook and on my iPhone; it’s an invaluable way of keeping track, using lists, photos and uploads from websites.

6 – Go on mini-adventures

My first mini-adventure this year was a few days in Paris in the Spring, which was wonderful. I’ve got a short visit to Edinburgh (all food recommendations welcome!) soon, followed by a week in Bivouac, which I’m very giddy about and a few days in Oxford planned for the summer. Oh, and I’m possibly going to swim outdoors on the dawn of Summer Solstice too … good grief.

Further adventures will arise later in the year, no doubt. I’m not going to plan everything, but just say yes to things as the opportunity arises. I love the idea of packing a bag and setting off to destinations unknown, so hopefully that might happen too.

7 – Record all my spending

I’ve created a spreadsheet to track my budget every month and, rather than feeling restricted by it, I feel so much more in control, which is rather lovely. Overall, it seems that the amount I spend on frivolous fripperies and fancy stuff – trying saying that after a pint – is very little. Possibly something to rectify? We’ll see …

8 – Host one Sage & Thrift event every month

This project is something that I’m really proud of starting. We’re growing, generating plenty of interest and have lots of wonderful plans. Our next event is a cookbook swap on 23rd June in Leeds, so if you’re around, do come and say hello!

9 – Reduce my possessions

This resolution has definitely happened, for a variety of reasons, to the extent that I could now fit all my possessions –  with the exception of my bike –  into my small car.  I’m still working on my wardrobe and book collections. Although minimalism and I are slightly uncomfortable with each other (due to my messy nature!) I’m aiming to simplify my belongings, to make any new purchases really thoughtfully and to choose the best available options for me each time.

10 – Read one decent book a month

I’ve read eight novels this year so far,  as well as a number of non-fiction titles so it really does feel as though I’ve read very little this year. I love to lose myself in a good book, and have a reading list as long as my arm. The longer days of summer might be just the time to spend more time reading – the ultimate Slow activity. Again, I’m not going to beat myself up if I don’t meet this goal. If there’s one thing I learned from my enormous GoodReads Challenge of 2012 it’s that quality definitely beats quantity when it comes to fiction. I’ve been recording my books on Springpad too – and creating a reading wish-list, so I remember all the great books that are recommended to me!

11 – Attend one cultural event each month

I’ve included everything from cinema to art gallery exhibitions for this goal, and I’ve actually surprised myself with what I’ve managed to do in the first half of the year. I’ve seen live music from David Ford, visited the National Gallery in London and the Musee du Luxumbourg in Paris, seen a stunning production of The Great Gatsby from Northern Ballet, attended Bettakulture, watched a wonderful new Sherlock Holmes play at the West Yorkshire Playhouse and visited several art exhibitions around the country. Recording this (again, on Springpad) has been a great eye-opener, and is a good reminder to myself that actually, I do lots of things and am really very lucky.

12 – Be kind to myself. 

This one rather underpins everything else. So often, I’m so keen to improve myself and to meet goals, that I get cross if things don’t go as planned, or if I don’t manage to be quite as brilliant as I think I should be. My beloved friend and Sage & Thrift partner, Jo, always says that we must ensure that we don’t use our plans as  ‘a stick to beat ourselves with’, which I love. It’s something that I’ve been trying to keep at the forefront of my mind this year. Life is challenging, and often doesn’t quite go as you thought it might. Plans don’t always work out, and it’s important to be adaptable, shrug your shoulders once in a while, and not get so caught up in the desire to achieve that you forget to have fun along the way.

With that in mind, I’m spending today having fun and with no aims other than to eat cake, sit in the sunshine and enjoy turning 37. Wishing you all a lovely day today. Even if it’s not your birthday …

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March 5, 2013

Yinka Shinobare MBE: FABRIC-ATION

Last week I had the great fortune to be invited to a special preview evening at the Yorkshire Sculpture Park in advance of the opening of a major new exhibition, FABRIC-ATION, from Yinka Shinobare MBE.

I have to admit that I’d not heard of London born, Nigerian raised Shinobare before, but I did know one piece of his work – Nelson’s Ship in a Bottle – because it was on the Fourth Plinth in Trafalgar Square, and is now on permanent display in Greenwich. It’s his movement towards the creation of works both for public spaces and for the open air that makes it a perfect time for this exhibition at YSP, and the commissioning of two new pieces of sculpture, which are part of this exhibition and titled Wind Sculptures, underlines this. I loved the fact that he asked the general public what they’d like to see on the Fourth Plinth, and that Nelson now is a recurring theme through his work.

In the hours spent at YSP viewing this exhibition, and listening to the curator, I’ve gone from knowing nothing of Shinobare to being a firm fan. The entire collection is suffused with a sense of playfulness and yet the subjects chosen are those of the most serious, from climate change to class inequalities and the historic pursuits of the aristocracy. Revolution Kids, half-human, half-animal sculptures carrying replicas of Gaddafi’s golden gun and Blackberry phones, are Shinobare’s response to the London riots, and convey perfectly the way in which he manages to mix the serious with the playful to create work that is really engaging, and almost comical, yet with a serious underbelly that occasionally has a rather more sinister feeling to it.  Food Faeries (about the globalisation of the food market)  is a pair of headless sculptures of winged children carrying fruit that really made me shudder a little.

Revolution Kid (Fox Boy) Copyright: Yorkshire Sculpture Park.

Revolution Kid (Fox Boy) Copyright: Yorkshire Sculpture Park.

Colonialism, race, globalisation and identity are also recurring themes, and Shinobare uses ‘authentic African’ batik fabric – which was first mass produced in Holland and sold into West Africa in the 19th Century – as a way of confounding expectations.

Alongside the thoughts of identity come those of ‘aliens’ – which made me think of refugees and human ‘aliens’, and here Shinobare again turns the idea of alien life on its head, with the inclusion of flying machines more akin to Leonardo’s inventions than what we expect from science fiction.

Alien Man on Flying Machine (2011) Copyright: Yorkshire Sculpture Park

Alien Man on Flying Machine (2011)
Copyright: Yorkshire Sculpture Park

A really diverse range of work is on display from the period 2002 to 2013,  including film, photography, painting and collage as well as sculpture, which demonstrates Shinobare’s desire to be impossible to categorise. It feels like a wonderful opportunity to really learn a great deal about his work over the past decade.

I truly loved this exhibition and I think that everyone would find something about it to enjoy, whether that is the boldness of the satire, the contrast between the seriousness of the subjects and the fun of the interpretation, or even just the bright colourful nature of each piece of art.

The exhibition is at the beautiful Yorkshire Sculpture Park until 1st September 2013 and I will definitely be returning for another viewing of this remarkable artist’s work.

March 16, 2012

Miro at Yorkshire Sculpture Park.

This week, I was lucky enough to attend a special preview of the new exhibition of work by Catalan Surrealist artist Joan Miró at the Yorkshire Sculpture Park. I have to admit, I deliberated a bit before accepting. You see, I know embarrassingly little about art. I formally stopped studying art after GSCE, the highlight of which was a reinterpretation of the famous ‘Whistlejacket’ painting by Stubbs, which I’m sure proves that at that point in time, my mind was already in the stables. Still, the one thing I love to do more than anything else is learn something new, and art (in all its forms) is something that I am enjoying learning more about all the time. Making up for my misspent youth, perhaps. Attending the viewing and also listening to the team of curators speak about Miró, gave me the opportunity to learn more about this great artist whilst at the same time view this unique exhibition.

The exhibition focusses on Miró’s sculpture, although there are paintings too, in the Underground Gallery of YSP. What I found really fascinating about the collection is that Miró worked with different foundries at the same time, and as a result of that, produced completely different works. Viewed together, they look as though they’re from a different period, or a different artist, and yet they’re not. Some are giant bronzes, curved, smooth and beautiful. Around these sculptures I generally had to walk with my hands firmly clasped behind my back, to prevent me from reaching out and stroking them. Others are spikier, boldly coloured and make use of found objects to create totemic human forms. Both forms of sculpture have an overwhelming focus on the human form, interpreted through a Surrealist perspective and complete with all the requisite body parts (cue childish eyebrow raising from me), giving them what the curator called an ‘earthiness’ and reflecting Miró’s relationship with the Catalonian soil of his childhood. I always find the use of ‘found’ objects in art really poignant, and where Miró has used objects to represent things he feared might be lost from the world and placed in the context of the Spanish Civil War period of their creation, this is especially true.

Miró was older when he really got into his stride with sculpture, starting in the 1940s and ending a year before his death, in 1982. I love the idea of him, in what would have generally been considered his retirement age, creating these giant sculptures and getting more political and against ‘bourgeois art’ as he aged. He wanted his work to be  a part of the fabric of life instead of being removed from it, and this is realised as some of his pieces of work are to be found in the streets across the world from Barcelona to Chicago.

So, I still know embarrassingly little about art, but I do know more about Miró now and I found this exhibition truly interesting. Some things I found beautiful, some things I felt that I didn’t fully understand, but everything provoked a response, which I think is a sure sign the exhibition is worth a repeat visit with my family. I have plans to create a Miró homage sculpture with the kids out of old boxes and bold coloured paint – although probably without all the body parts!

One thing the curator said that really struck me was that in Miró’s work can be seen his thoughts about humanity – both fear for it, but also hope about what humanity is and what it could be. If that isn’t a good reason to want to come and see this great and groundbreaking exhibition, I don’t know what is.

The Miró exhibition opens on 17th March 2012 and will be at Yorkshire Sculpture Park until January 2013. Alongside the sculptures inside the Underground Gallery are some more placed outside. This is in addition the Park’s incredible permanent sculpture collection displayed in the wonderful parkland, smaller exhibitions, workshops, special events and a great restaurant and store. It’s one of my favourite places in the whole world, please do go along for a visit!